By mixing these early influences with original live instrumentation, a distinctive genre known as G-funk was created. The beats were slower and mellower, samples from late 1970s and early 1980s funk music. Dre ushered in a new musical style and lyrics for hip hop. In between are wide-open spaces that hold just a rhythm guitar, sparse keyboard chords.' Pareles observed that the songs 'were smoother and simpler than East Coast rap, and decisively expanded the hip-hop audience into the suburbs.' Until this point, mainstream hip hop had been primarily party music (for example, Beastie Boys) or pro-empowerment and politically charged (for example, Public Enemy or X-Clan), and had consisted almost entirely of samples and breakbeats.

Jon Pareles of The New York Times described the production, writing 'The bottom register is swampy synthesizer bass lines that openly emulate Parliament-Funkadelic the upper end is often a lone keyboard line, whistling or blipping incessantly. It's the benchmark you measure your album against if you're serious.' Dre was listed at number 56, Kanye West wrote on the album's production quality: ' The Chronic is still the hip-hop equivalent to Stevie Wonder's Songs in the Key of Life. In Rolling Stone's The Immortals – The Greatest Artists of All Time, where Dr. Dre only utilized one or few samples per song. Dre's efforts, 'Here, Dre established his patented G-funk sound: fat, blunted Parliament-Funkadelic beats, soulful backing vocals, and live instruments in the rolling basslines and whiny synths' and that 'For the next four years, it was virtually impossible to hear mainstream hip-hop that wasn't affected in some way by Dre and his patented G-funk.' Unlike other hip hop acts (such as The Bomb Squad) that sampled heavily, Dr. The production on The Chronic was seen as innovative and ground-breaking, and received universal acclaim from critics. In 2019, the album was selected by the Library of Congress for preservation in the National Recording Registry as 'culturally, historically, or aesthetically significant'. The Chronic has been widely regarded as one of the most important and influential albums of the 1990s and one of the best-produced hip hop albums. Dre's production popularized the G-funk subgenre within gangsta rap. ' Nuthin' but a 'G' Thang' reached number two on the Billboard Hot 100 and number one on the Hot Rap Singles and Hot R&B Singles charts. The album's three singles became top ten Billboard singles. The Chronic spent eight months in the Billboard Top 10. The Chronic reached number three on the Billboard 200 and has been certified triple platinum with sales of three million copies in the United States, making Dre one of the top ten best-selling American performing artists of 1993. The title derives from a slang term for high-grade cannabis, and its cover is an homage to Zig-Zag rolling papers. It features many appearances by then-emerging American rapper Snoop Dogg, who used the album as a launch pad for boosting his own solo career. It includes insults towards Ruthless and its owner, former N.W.A member and assembler Eazy-E.

Dre's first solo album after he departed the West Coast hip hop group N.W.A and its label Ruthless Records over a financial dispute. Recording sessions took place in Death Row Studios in Los Angeles and at Bernie Grundman Mastering in Hollywood. It was released on December 15, 1992, by his own record label Death Row Records and distributed by Interscope Records. The Chronic is the debut studio album by the American hip hop producer and rapper Dr.

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